Mar 15, 2011

PUBLIC SPACE: ARCHITECTURE'S PLACE OF DWELLING AND COMING INTO BEING Professor Zeev Druckman




PUBLIC SPACE: ARCHITECTURE'S PLACE OF DWELLING AND COMING INTO BEING
Professor Zeev Druckman
(English Translation by Elen Rochlin)

When we come to place ourselves in the world, all the concepts of existence that have ever been thought up by human beings throughout all generations are cast at us in a chaotic pell-mell. True enough, we do have at our disposal precedents, experience, a given situation, accumulated knowledge, global technology to appeal to. Yet all these are nothing but part of the "torrent" of concepts and phenomena which do not help to make simpler the existence of a clear and distinct horizon. Comparable to the exploding of meteorites.

Changing paradigms of education


What are creative industries?


Definitions of the creative industries

Various definitions on what activities to include in the creative industries have been suggested (DCMS 2001, p. 04) (Hesmondhalgh 2002, p. 12)(Howkins 2001, pp. 88–117)(UNCTAD 2008, pp. 11–12) and even the name itself is a contested issue - there being significant differences and overlap between the terms 'creative industries', 'cultural industries' and 'creative economy' (Hesmondhalgh 2002, pp. 11–14)(UNCTAD 2008, p. 12).
Lash and Urry suggest that each of the creative industries has an 'irreducible core' concerned with "the exchange of finance for rights in intellectual property," (Lash & Urry 1994, p. 117). This echoes the UK Government Department for Culture, Media and Sport (DCMS) definition which describes the creative industries as:
those industries which have their origin in individual creativity, skill and talent and which have a potential for wealth and job creation through the generation and exploitation of intellectual property.” (DCMS 2001, p. 04)
The current DCMS definition recognises eleven creative sectors, down from fourteen in their 2001 document. They are: